Two actresses singing the song, "For the Boy I left Behind". The blond in the pink pj's that look like long underwear, shows her nipples. Never, in a 1940's movie, but there it is. The PJ's themselves very unusual for the time. 1945 movie, Tonight and Every Nigh, takes place in a seedy old music hall, which never misses a performance even at the height of the "blitz" a previously unknown movie to me..another strange thing that caught my attention...a young German dancer is auditioning for the show which I assume is a German show made for the enjoyment of the Allies. He is dancing to the "tune" of Hitler's voice and the roaring sound of the audience cheering him on and it ends with the dancer doing the Heil Hitler sign. It gave me the chills and as far as the movie was concerned, it had no significance, well, it did contine the plot. OMG, the color in this movie was spectacular, at times too spectacular...a little to red in the face.The film was used as a Technicolor vehicle for Rita Hayworth after her success with Cover Girl. The Blitz...London was burning, but the show must go on.
Classic Movies Not Always B&W
I haven't always liked classic old movies, but it seems the older I get, the more I do. The day I wrote this was a snowy, blustery day, I'd been watching them on the Turner Classic movie station (TCM). It started with "On the Town", a corny musical with Frank Sinatra, Gene Kelly and Jules Munshin as three sailors who dock in New York City and proceed to "do" the town and meet some pretty ladies, all of whom sing and dance and say corny lines and make corny dance moves and the more I watched, the more I could appreciate the corniness, the dance steps, the music and think about the times the movie was made in. I"d never heard of Jules Munshin before and wondered why his name was unfamiliar, even though he'd played such a significant role in such a famous movie.