Showing posts with label Broadway Theater. Show all posts
Showing posts with label Broadway Theater. Show all posts

9/06/2009

NEXT TO NORMAL


I believe there is nothing more extraordinary or moving, than a great theater experience. I am not sure what to call Next to Normal, since in my mind, it is more a play than a musical, but it is done mostly through songs. Perhaps in another time, it would be billed as an operetta, but that doesn't really do it justice, either. It is a dramatic play, expressed in song, which comes across as natural as the spoken word. Wickepedia calls it "a Tony Award winning rock musical with book and lyrics by Brian Yorkey and music by Tom Kitt". Rock musical doesn't sit right with me because though much of the music could be classified as rock and the play is done mostly in song, calling it a rock musical misses the point. Next to Normal is a play addressing dysfunction in a family caused or influenced by the mental disability of the mother (Diana) who suffers with manic depression, also known as Bipolar Disorder. In Diana's case, she has extreme manic episodes which lead to psychotic symptoms, delusions and hallucinations, about which I will not elaborate, to avoid a spoiler for anyone who might go to to see the play, which, if you haven't guessed by now, I highly recommend you do. I would call Next to Normal a play expressed in song and music. That may be a long way of saying a Rock Musical, but I'd prefer to find a new name for this kind of theater. If you have any suggestions, let me know.

If you click on the link above (i.e. the title), you will find a New York Times review of the play from February, 2008, when Next to Normal opened originally off Broadway at the Second Stage Theater with a slightly different cast. The current cast is highlighted by Alice Ripley, an actress previously unknown to me, but may be familiar to some from Broadway's production of The Who's Tommy in 1993. Alice Ripley is wondrous in this part. I can not speak her praises highly enough. Not only is her voice beautiful, expressive and displays a broad range, but her emotional range as an actor is what made this piece totally capture my imagination and my emotional world. The other actors, especially J. Robert Spencer, who plays Dan, the father, Jennifer Damiano, Natalie, the daughter and Kyle Dean Massey, Gabe the son are also wonderfully expressive, with beautiful and strong voices and in the case of Kyle Dean Massey, physically gorgeous. When I say expressive, I refer especially to their facial expressions. Because of my less than perfect vision, I am forced to watch the play as much through my opera glasses as directly, which not only allows me, but forces me to see the details of everything from their faces to the shoes they wear and the creases in their clothing. What captivated me was watching the subtle changes in Alice Ripley's facial expressions, which reveal, without words, a plethora of emotions including, but hardly limited to pain, fear, confusion, irony, distrust and love. The confusion and despair on her husband Dan, J. Robert Spencer's face also brings the audience to tears. Speaking of tears, the play is not a tear-jerker. What it is, is a display of life in it's multitude of emotions and how what happens to one family member can so broadly and profoundly affect all of the others. For those who do not like to cry, fear not, because there is a lot in this play that is funny and the characters laugh, as well as cry, as does the audience. Having said that, to watch this play without tears is either to not "get it" or to be the kind of person who does not allow themselves to experience the myriad of emotions available to the human species. From my perspective, that would be a shame. I read an interview that was done with the plays writer and lyricist, Brian Yorkey and he said the following: "We wanted this show to be an emotional experience, as honest as it could be, and we wanted people to experience emotions with Diana and her family -- to empathize, to share the experience, rather than just witness it." They succeeded.

Before watching the Tony Award Ceremony in June of this year, I was not aware of the play Next to Normal or Alice Ripley. A compelling scene from the play was performed on the Tonys and this is what initially sparked my interest. After hearing an interview of Alice Ripley on NPR, I knew that this was a play I had to see. By the way, Next to Normal was nominated for Best Musical (i.e. play expressed in music and song (:), Best Book of a Musical, Best Original Score (Winner), Best Actor in a Musical, Best Actress in a Musical (Alice Ripley - Winner), Best Featured Actress, Best Director of a Musical, Best Orchestrations (Winner), Best Sound Design, Scenic Design and Lighting Design of a Musical. It appears I was not the only one who loved this play.



After the play, my sister and I walked over to TKTS and to our surprise found Next To Normal on it's board. I'd bought it for a discounted price online, so I didn't feel cheated. Truth be told, at any price, this play would be more than worth the price of admission.


I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. Oscar Wilde

12/21/2008

WEST SIDE STORY & "JIMMY SHINE"



I was talking on the phone with my brother about the upcoming revival of the landmark musical West Side Story, which, by the way will be directed by librettist Arthur Laurents and will begin previews Feb. 23, 2009, at a Nederlander theatre to be announced. It will officially open on Broadway March 19, 2009, according to an Aug. 8 press announcement. I thought I had seen the play before, but my brother convinced me that I had probably not seen West Side Story, the original Broadway show, but rather I was remembering the movie version and confusing it with the the play. A few days later, my sep-hub said that he remembered seeing the play on Broadway. Some research was in order. It turns out I had, in fact, seen the play, as well as the movie. I did not, of course, see the original production, for if I had, I would have only been one month shy of 6 years old on the 26th of September, 1957, when it was first produced at the Winter Garden Theater, with Carol Lawrence as "Maria", Larry Kert as "Tony" and Chita Rivera as "Anita."



The movie came out in 1961, when I was either 8 or 9 years old, depending on the month. I was sitting up in the balcony of the movie theater and when the movie ended, I was sobbing my little eyes out. A woman, with what I guess were good intentions, approached me to tell me not to cry because it was only "make believe"! I don't know what world she lived in, but it wasn't mine. Even at the tender age of 8 or 9, I recognized the truth in the plays meaning and real life depictions.

I keep several binders of my old Playbills (see blog dated 6/4/06) and was, thus, able to find the Playbill: West Side Story, dated, May 1980, with Jossie De Guzman as "Maria", Debbie Allen as "Anita" and Ken Marshall as "Tony" (I must admit to knowing the 1957 cast better than the 1980 cast, with the exception of Debbie Allen). So, I did in fact see the play, if not the original, on Broadway, as well as the movie. I mustn't let others so easily dissuade me of what I know to be true.













From one classic old Broadway show to another older completely unknown and forgotten Broadway play ( December 1968) called "Jimmy Shine", with Dustin Hoffman as "Jimmy Shine". On this morning's edition of my favorite TV program, Sunday Morning with Charles Osgood, one of the featured segments was about Dustin Hoffman, who happens to have a new movie coming out. They talked a lot about his early history as a struggling actor and that despite a decade of working as an actor, he remained unknown. It was his part in The Graduate that began his career and future success. I was surprised and disappointed that they did not mention his role in "Jimmy Shine" and it was not until after I yahoo'ed the play that I understood why. Though I saw it, I have no recollection of it. I found this article, Urban Picaresque from Friday, Dec. 13, 1968. It starts out saying, "A play is a journey. It can be an outward journey through time, place and action. Or it can be an inner journey through mood, psyche and character. Murray Schisgal's Jimmy Shine attempts an inner journey. The trouble is that it doesn't go anywhere". I have to assume that the play had a very short run. Interestingly, it was a musical of sorts and you'll never guess who wrote some of the songs; none other than John Sebastian of The Lovin Spoonful.
By the way, you might notice that the head of Dustin Hoffman on the Playbill is not the original one. I must have had a pretty bad crush on old Dusty, so I cut out his picture and put it up on my bedroom wall. Posterity and the e-bay value of old Playbills was not on my 17 year old radar.


The Playbill went headless for many years until I decided I would try to patch it up.